Events

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

In "Vom Schrei zur Bewegung" (From Scream to Movement), Chilean choreographer Andrea Lagos Neumann, together with Felipe González Berríos, Florencia Lagos Neumann, Lola Villegas Fragoso and Rebecca Mary Narum, poses a fundamental question: How can we hear the voices of the FLINTA* community (women, lesbians, intersex, non-binary, trans and agender people), who have often been silenced throughout history? Using dance, music, video and embroidery, a