A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.