Events

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

A German-Indian project about bodies, identity, and social conditioning. Rebecca Mary Narum (DE/USA) and Purnendra Meshram (IN) encounter each other with their visibly different bodies and experiences. Using contact improvisation, real-time composition, and a transparent plastic sheet as a symbol of social “skins,” they explore closeness and difference, visibility and withdrawal. The project invites the audience to actively participate—not only as spectators, but as co-researchers.

In "Vom Schrei zur Bewegung" (From Scream to Movement), Chilean choreographer Andrea Lagos Neumann, together with Felipe González Berríos, Florencia Lagos Neumann, Lola Villegas Fragoso and Rebecca Mary Narum, poses a fundamental question: How can we hear the voices of the FLINTA* community (women, lesbians, intersex, non-binary, trans and agender people), who have often been silenced throughout history? Using dance, music, video and embroidery, a

In "Vom Schrei zur Bewegung" (From Scream to Movement), Chilean choreographer Andrea Lagos Neumann, together with Felipe González Berríos, Florencia Lagos Neumann, Lola Villegas Fragoso and Rebecca Mary Narum, poses a fundamental question: How can we hear the voices of the FLINTA* community (women, lesbians, intersex, non-binary, trans and agender people), who have often been silenced throughout history? Using dance, music, video and embroidery, a

“I called my world Earth, but I thought it should really be called Water” (Maja Lunde) The mixedabled dance piece Yaku Samay takes the essence of water as a metaphor to artistically explore the connection between humans and nature. The diversity in quality and intensity of the element is reflected in the movement and sound of the dancers, transforming them into deeply human forms of

“I called my world Earth, but I thought it should really be called Water” (Maja Lunde) The mixedabled dance piece Yaku Samay takes the essence of water as a metaphor to artistically explore the connection between humans and nature. The diversity in quality and intensity of the element is reflected in the movement and sound of the dancers, transforming them into deeply human forms of

“Voices Across the Divide” combines dance, storytelling, and conversation to explore how people from diverse backgrounds experience and navigate the current political and social climate in the United States. The evening invites audiences to reflect on polarization, democracy, and the human stories that lie beyond political labels.